Academic: 1986  High School BIS finished ½ year early with class highest grade marks A+ 1994  Arts & Design, Barcelona (International University of Arts) 1995  Arts & Design, Palma de Mallorca (Balerar School of Arts & Design) 1996-2009  various courses of Web Design 2000-2003  Art studies under Prof. Juergen Waller Mougins (Mougins International School of Arts) Exhibitions: 2005  First solo exhibition of oil paintings (after two shared exhibitions)            Vallauris in the studio of Pablo Picasso where he worked on his ceramics 2006  Exhibitions of oil paintings in Berlin and Budapest 2007  Exhibitions of oil paintings in Vienna and Dubai 2008  Exhibitions of oil paintings in Bangkok 2009  Exhibitions of  an Eco Art Instalation in Monaco  2010  Shared exhibition with Nathalie Nadal-Olivié in Monaco at the Grimaldi Forum More under : http://www.nataly-cnyrim-kimmel.com

There is no abstract art. You must always start with something. Afterward you can remove all traces of reality. by Pablo Picasso

Technic : The work of art and its writing Even in the art market genuine unexpected events may rise out of the corner where they were hidden and come up in full light while getting free from the shadows cast upon them by the great masters. Such uncommon events do happen unexpectedly and demonstrate once more that art is exempt from convention and welcomes instead those who in this field live only at the margin. Indeed true talents can be spotted even in difficult circumstances. Therefore the one whose participation in cultural life is only unconscious can with a clear insight show understanding and good judgement. Even though it is difficult to classify things rightly at first, serious attention will drive you to the right interpretation. Nataly Cnyrim-Kimmel’s works not only gratify beholders with solid gripping points but also with so many virtual interpretations; the artist’s creative outlook develops a process starting in photography then turning back to painting. On the canvas, the use of pictorial elements in a serial way brings forward very rational ideas and thoughts that are supported by the direct, sensual utilization of pigment. Starting from a cold first impression, the one given by the lens of a camera, you reach conclusively a warm painting with full sensitivity. No doubt that this proceeds from a need to bring warmth to the static objectivity of reality through identified humorous experiments. A necessity which however seems to come off its hinges and expresses itself in the eccentric chromatic values of  Pop culture through which the artist suggests solutions far beyond the Kitsch expression – a hint revealing her complex character : capable of absurdity, excellent for the surface, yet at the same time, full of attention, profound and providing food for thought. With Nataly, application of the black colour is no matter of decoration, it asserts a personality ready to take all the risks involved in such a contrasted painting. Moving or vibrating in the black are geometrical forms, once more so rational, but made precious through the sparkling spectre of chromaticism. The canvas is a territory where movements and conflicts synthesize different languages and completed experiments. Thereby installing the ideal connection with the digital images we come across every day in our electronic world and that are still light and elegant thanks to their style due to direct craftsmanship interventions. The thickness of the matter spread with a spatula together with traces of chalk and plaster on the surface take us back to the spell of sensitiveness and also remind us of movement sequences in a film. There are two basic elements involving us in the construction of film shooting: the pictorial, “light” structure calling up electric currents and the varied repetition of real fragments.

The constant strain towards combining various objects, carefully selected by the artist, produces film sequences: the movie of our life. It is mainly through this approach of works of art that those get endowed with a new poetic and human aura... It allows us to understand time, a certain period of time (documented by the steady repetition of images) and of course some space upon which everything relies. Two very important basic factors lead us to understanding. Time and space. Such works we made a detailed analysis of , essentially remind us that art is a fantastic instrument to discover the present and question the past. Retrospectively I have to acknowledge that these pictures are undoubtedly cultural products and, as such, witnesses of a specific cultural atmosphere. Let us fancy that we can read a picture like a written document, the picture would then open itself for those attempting this sort of approach. A text allows self expression but affects at the same time all the individuals reading it or even changes the ideas prevailing in a society. Nataly’s text and writing describe the circumstances of her own life and by the same movement she participates in the changing of society while interacting with her environment. To conclude, we like to wonder about the anthropological meaning of such writing or text and we have to observe that before us is a reflection of the cultural testimonies of various objects, things, that assist us in a most important intellectual function, think about our human condition. The last remark will deal with the choice of the elements of the images and of the topics. The artist often explored an intimate feminine world with the relevant feelings. Hands touching, expressive promising lips, special spots of the body anatomy, display a balanced emotional world. However, the artist is also capable of dealing with distortions, she is not only concerned with her own subject but also with others’ subjects. For all the reasons above, the art lover is deeply impressed by Nataly Kimmel’s works, they create a special energy by making opposites communicate. This results in a sort of strain, quite specific, allowing for unlimited different looks corresponding to each individual’s personality. To summarize, it can be said that Nataly is presenting with much force and passion to an international public her gripping, provocative work, but primarily open to all interpretations. 

THE SPA SHOWER (original oil painting on canvas) 90 x 120cm         2900 Euro / $ 3,850.00 $  THE SPA SHOWER II (original oil painting on canvas) 90 x 120          2900 Euro / $ 3,850.00 $  C-O-L-U-M-N (original oil painting on canvas) 3 X 60 x 120             5200 Euro / 6,900.00 $   VIRTUAL SCREEN (original oil painting on canvas) 90 x 120     2900 Euro / 3,850.00 $

Native of the South of France, Nathalie Nadal-Olivié is self-taught. Her "revelation" for the contemporary abstract art came to her in 2005. She chooses then the technique of the knife on natural linen paintings canevas with the inclusion of a multitude of materials such as the crystal or the raffia. It is the meeting very "Zen" that proposes the painter Nathalie Nadal-Olivié, giving free rein to her imagination, melting geometry with stylized in touches in the knife very dianamic. Using only black, white acrylic, gold ,silver,and mineral colours, reliefs and reflections take an almost "crowned"("sworn") brilliant and soothing connotation. Her paintings are journeys in two worlds parallel to the infinite "paradoxes" and dances with the " yin and the yang ", creating a magic féérie and envoutante. EXPOSITIONS: -aout 2005 GMAC de Valbonne (Grand Marché d'Art Contemporain)( France) -novembre 2005 GMAC de Paris Bastille ( France) -septembre 2006 GMAC de Valbonne (France) -décembre 2006 exposition "Arte 2000" association "Luogo ideal" à Milan ( Italie) -décembre 2006 exposition Galerie Artlequin à Agay (France) -avril 2006 exposition collective "Biot 100%" regard sur la création artistique à Biot (France) -juillet 2007 exposition hotel Palais de la Méditerrannée à Nice ( France) -octobre 2008 exposition " Galerie Artlequin " en la présidence de Inge von Karoly à Agay ( France) -janvier 2008 exposition Hotel "le Mas d'Artigny" à Saint Paul de Vence (France Chateaux-hotels Grandes étapes françaises) -février 2009 exposition Aéroport Nice Cote d'Azur " Centre Affaires "- "Ecriture et traces"  -janvier 2010 exposition permanente au country club de golf "Le Provençales" à Mougins -mars 2010 exposition collective "Live Art 2010" show et peinture en live au forum Grimaldi à Monaco. More under : http://carredesoie.free.fr

Carré de soie 

Carré n°1 

Soleil levant

Triptyque Apogée 

Tétris(sculpt) 

Carré de soie     65 x 80 +frame                    3980 eur  / 6050 $ Carré n°1               60 x 60                            2450 eur / 3500 $ Soleil levant            60 x 60                            3050 eur / 4080 $ Triptyque Apogée   120 x 120                         4800 eur / 6500$  Tétris(sculpt)          50 x 80                           2980 eur / 4050 $