Non-Objective Art

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Slide 1

Non-Objective Art Modern Art Era “Abstract Expressionism”

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Non-Objective Artists Shared a similarity of outlook than of style. An outlook characterized by a spirit of revolt and a belief in freedom of expression.

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Jackson Pollock Pollock would stick his canvas to the floor and drip paint from a can using different objects to manipulate the paint. Known as “Jack the Dripper” 1912-1956

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1950 Lavender Mist or Number 1

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Willem de Kooning 1904-97 Though there were many Abstract Expressionists, the most vital seems to be de Kooning. He overwhelmed us with his beauty in paintings.

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Door to the River (Untitled II) Museum of Modern Art 1981

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Mark Rothko 1903-70 Rothko was influenced by Surrealism and its capacity for freedom of expression. He placed greater emphasis on color and gravity than on gesture and action.

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Untitled 1969

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Franz Kline 1910-1962 Number 2 1960

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Clyfford Still 1904-1980 1948, 1948

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Arshile Gorky One Year the Milkweed, 1943 1905-1948

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Lee Krasner The Springs 1964 1908-84

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Barnett Newman Who’s afraid of red, yellow and blue II 1967 1905-70

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Non-Objective Art The term Abstract Expressionism was first used by Robert Coates in the March issue of the New Yorker in 1936 The movement was a hugely successful partly due to the critics. The era originated the terms “action paintings” and “American Style”.

Summary: A brief introduction to a variety of Non-objective artists.

Tags: nonobjective artist modern art

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